DC Web Fest 2018: Official Blog/ Script Selections

Congratulations to our official DC Web Fest 2018 selections! 

We are passionate about writers, of both scripts and blogs and digital art alike. We have a variety of exciting stories to tell, start diving in below! 

By the Close of Business: Burdened with an eviction threat, agnostic Trenton finds his solution an unlikely place, after a long day of unsuccessful last-ditch attempts to raise money.

The Morning After Zine: The Morning After Zine is a publication and workshop series promoting self-care for survivors of sexual violence.

Heartstopper: (UK) HEARTSTOPPER is a webcomic by Alice Oseman. Charlie, a highly-strung, openly gay over-thinker, and Nick, a cheerful, soft-hearted rugby player, meet at a British all-boys grammar school. Friendship blooms quickly, but could there be something more...?

Midnight Especial: (Iran) A middle-aged man, alone in a city of couples, gets ready to pop the big question, with unexpected results. 

Scientia Potentia Tumblr: Look no further than Scientia Potentia for all of your spaced-out, planetary-ogling needs. 

1990zzz Tumblr: A curated board of all your favorite 90s style icons and fades-from-years-past. 

PoPville: PoPville chronicles the happenings in Washington D.C.’s neighborhoods. Like Jackie Lee’s of yesteryear, PoPville has become the pulse of the nation’s capital. Topics covered include quality of life, real estate, restaurants, bars, retail, architecture, gardening, pets, transit, crime and other general observations about daily life in D.C.

DC Web Fest 2018: Official VR/AR Selections

Congratulations to our official DC Web Fest selections! 

We are pleased to announce the VR/AR selections for this year's festival. This form of digital storytelling will only grow in the coming year, and these selections illustrate just how far it can go. Check out these incredible works! 

Lion 360: Watch as Gibson the lion and his mother struggle with their pride’s alpha male in this groundbreaking 360-video, filmed completely in the wild from the heart of a pride of lions for National Geographic.

The Crew: A Filipino cruise ship cleaner finally gets a chance to perform an opera aria in the crew talent show, but when the show is canceled he still finds a way to sing.

I Saw The Future: In a dark expanse that could be the cosmos, we hear the voice of Arthur C. Clarke, whose face – taken from a BBC archive dating back to the 1960s – appears in the distance. His features quickly dematerialize into a multitude of shimmering pixels, creating an enveloping and immersive space out of which the thoughts of the famed author of 2001: A Space Odyssey emerge. At the heart of this spectral environment, A. C. Clarke tells us about the arrival of digital revolution, decades ahead of his time. This film is an invitation to travel, and a crepuscular form of poetry to be experienced immersively.

Alterations: Alexandro volunteers for an experiment carried out to study dreams. He doesn’t even imagine that he’s going to be subjected to the intrusion of Elsa, a form of Artificial Intelligence, who’s going to digitize and dematerialize his subconscious in order to feed off it.

The Killing Pits of Ponar: Done in conjunction with PBS NOVA, this is an immersive VR film that tells the little-known story of the origins of the Nazi genocide during WWII and the daring escape by prisoners who resisted.

The Story Unfolds: Created by the Alexandria firm Illustrate My Design, this Augmented Reality experience commissioned for the American Advertising Awards Gala, the only guidelines were a folded paper origami crane with the tagline “The Story Unfolds.” IMD created an interactive AR game that has the user collect glowing orbs so an origami crane is released into the sky. The crane symbolizes the possibilities of the future through collaboration. 

DC Web Fest 2018: Official Game/ App Selections

Congratulations to these 2018 DC Web Fest Official Selections! 

GAMES. WE LOVE THEM. And this year we are coming in with some serious fan favorites, including Doki Doki Literature Club and Serial Cleaner. All of these games build unsettling, ingenious worlds with excellent new storytelling methods. Take a look at their loglines and trailers below! 

Doki Doki Literature Club: From Team Salvato's powerhouse production team comes Doki Doki Literature Club: "The Literature Club is full of cute girls! Will you write the way into their heart? This game is not suitable for children or those who are easily disturbed." Clearly, this is only an anime dating simulator. Absolutely nothing creepy goes on here, no. This absolutely isn't one of the most unsettling games alive. 

Serial Cleaner: Slip on your flares, grab your shades and hop in your station wagon, it's time to go to work… as a professional cleaner for the mob. A good cleaner never gets caught, so you have to make sure you get in, clean up and get out without leaving a trace of evidence for the police to find in this stylish 70s-themed 2D stealth/action game.

Recontact Instanbul: Eyes of Sky : All the way from Turkey, Eyes of Sky is a cinematographic mind-explosion, since the interactive game's scenes are shot on real locations with real actors. You become a leading actor/actress in an active murder investigation, trying to identify and interrogate suspects, collect evidence for the investigation, and decrypt hundreds of photos, videos, and diary entries alongside superintendent Ersin. 

What Remains of Edith FinchWhat Remains of Edith Finch is a collection of strange tales about a family in Washington state. As Edith, you’ll explore the colossal Finch house, searching for stories as she explores her family history and tries to figure out why she's the last one in her family left alive. The gameplay and tone of the stories are as varied as the Finches themselves. The only constants are that each is played from a first-person perspective and that each story ends with that family member's death.

Emily is Away TooEmily is Away Too is a story featuring new characters and multiple different endings. Message your friends, surf the web and choose your path through this branching narrative. Message both Emily and Evelyn as you determine the outcome of your senior year. Extend the story past the chat window with youtube links, facebook profiles and file transfers. And most importantly, change your text color to lime green so everyone knows you're the coolest kid in school.

DC Web Fest 2018: Official Trailer/ Digital Short Selections

Congratulations to the 2018 DC Web Fest Official Selections!

We are thrilled to share our first batch of films - shorts and digital trailers. These creators come from all over the world, from Afghanistan and Australia to Washington, D.C. and rural Ohio. Check out their loglines and external links below! 

The Luck Bird: (Afghanistan) Adam is a naive young man who fights with everyone. After losing his job, he seeks a solution from a wise man. The sage sends him to the desert and gives him forty days to hunt down the bird that brings good luck. 

The Hollow: (USA, student film) In completion of his senior thesis in Film, Kale Barber took inspiration from Japanese horror, set in his bucolic undergraduate surroundings. When Blair initiates an affair with her professor, she's contacted by a spirit with a score to settle.

Rock Bottom: (Australia) Nick Baker and Tristan Klein – old school friends – formed Seek and Hide Productions in 2012 and have been featured at festivals ever Since. This work features two comedians - Luke Heggie and Cassie Workman - who bring their weird and wacky world to life. Welcome to Rock Bottom - a filthy underground bar, full of filthy underground bugs.

The Hum: (Germany) Strange things are happening in the small village of Tandern, right on the edge of the Swabian Albtrauf. As Sarah, a young vet tech, tries to find the underlying cause of a woman's mysterious death, she is forced to face her dark past, getting caught between mother nature and humanity's exploitation of her. It seems something sinister lies inside the forest dark and deep...

Introverted Girl: (USA, DC Local, student film) An alumna of Howard University and recent MFA graduate in Film and Electronic Media from American University, A’Montay Giddings-Watson shows her personal digital story about exploring life as an introverted girl.

If You Care: (USA, DC Local, student film) Abrar Abulfaraj, a recent MFA graduate from American University in Film and Electronic Media, produced a public awareness website about certain autoimmune diseases, with motion graphics to help illustrate their stories. 

DC Web Fest 2018: Official Podcast Selections

Congratulations to the 2018 DC Web Fest Official Submissions!

We are pleased to announce the official Podcast Selections for this year's DC Web Fest. Thanks to all who submitted their stories, and for making our first year of podcast submissions such a great one! Read below for more information on this year's selections: 

STRIDE AND SAUNTERStride and Saunter is a podcast for thinking differently - specifically about humanity and curiosity. Every week, Kip Clark and a variety of hosts and interviewees bring you honest, thought-provoking discussions about the world we live in and how we perceive it.

MAGICAL HISTORY OF KNOX COUNTYThe Magical History of Knox County is a delightful, whimsical tale. The show follows Mordecai Dogwood as he takes over for the missing host of a popular public radio show in rural Ohio - only to discover a magical ecosystem hiding in plain sight. With the help of a station tech, a park ranger, a pair of biologists, and a giant toad, Mordecai finds himself taking on responsibilities that were definitely not in his job description.

TWO BEER QUEERS: Tom and Josh are two gay men from Washington, D.C.  bonding over libations and conversations in Two Beer Queers. From awkward hookups to the outrageous news cycle, they're talking about all the things that you overhear your drunk friends talking about, with a focus on queer issues and culture. Put on your cutest underwear and grab a drink!

GOOD GRIEFGood Grief is a serialized podcast that tells the everyday stories of grief in a serialized format. In Season 1, host Sam Sabin shares her own story. In the weeks following her father's death, she learned two things: 1) He had a second family, and 2) that second family was her. 

GARBLED TWISTORYGarbled Twistory is a podcast that’s primary objective is to humanize history, through humorizing history. Rafiq Taylor walks us through American elections, with elation in tow. 

TRANSFERT: A podcast of Slate.fr and presented by Charlotte Pudlowski, Transfert (or "Tranfer") tells you true, exciting, and moving stories about the modern world and those who live there. Have you always dreamed of knowing the secret adventures of your noisy neighbors, which has transformed the personality of your cousin, which became the reason why your colleague can no longer trust anyone? Join the journey. 

DC DIARYDC Diary facilitates relationships that go beyond a business card. The podcast aims to bring together a community of DC professionals and provide a platform to share their stories, experiences, and personal narrative in an authentic way. 

ANANSI STORYTIME: Taking it's name from the spider trickster god of Western Africa, Anansi Kweku, locally produced Anansi Storytime dramatizes fairy tales and folklore from cultures all over the world as audio plays, for the enjoyment of young and old alike. 

DEALING WITH MY GRIEF: In April 1978, Dealing With My Grief podcast creator Darwyn M. Dave lost his father when he was 10 years old. Even though many years have passed, Dave realized he was not "over" his death, and uses this audio format to examine grief, in all of its manifestations. 

The Official Hotel for DC Web Fest #6 is...

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The Hyatt Place DC/US Capital (right on New York Ave)! We are super excited to be working with the Hyatt this year :) We spent ample time researching numerous other DC hotels BUT our experience with the Hyatt has been absolute TOP NOTCH- not only with Hyatt Place DC/US Capital but with every Hyatt we contacted. Their attentiveness certainly surpasses that of many other hotels (including some 5 stars).

We initially contacted one Hyatt location to see if they had availability during DC Web Fest 6 dates (April 6-April 7). That location didn't have any availability BUT they passed our request and contact to other Hyatt locations in DC. We immediately received responses from the other Hyatts and Hyatt Place DC/US Capital was the one we chose due to its location and convenience (the others were just as great too). We have been emailing back and forth to secure everything and it's just been awesome working with them thus far! We are certain that they will provide our out-of-town guests with an amazing stay in the nations capital.

It's crazy to know that DC Web Fest 6 will kickoff in just 2 months. We have so much amazing content amongst other cool things planned for you all at the festival this year. Stay tuned!

Web Festivals in 2018

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Perhaps it’s time to talk about the elephant tromping all over the new year: net neutrality, and how in the world it will affect digital creatives.

Let’s begin by saying this all might be a wash, or a cautionary thought exercise. A Senate bill to reverse the FCC’s December decision received its 30th co-sponsorwhich ensures net-neutrality will get a vote in the Senate. What happy timing, too, considering net-neutrality will certainly be a hot-button issue for 2018 campaigns which (if you haven’t been hit over the head with this too many times already) could change the balance of power in both legislative houses. And change the way our country functions. Hopefully for the better. (So definitely vote, please.) ((Back to your regularly scheduled post.))

If you have been living under a rock or just returned from an uber chic silent retreat, here is your one second catch up: FCC Chairman Ajit Pai and his cronies fellow Republican FCC chairmen voted to repeal net neutrality. In over-simplified-but-still-true terms, this victory would mean AT&T, Comcast Corp, and Verizon Communications Inc. would have power over consumer’s access to online content. The kind of content that we have made our livelihood. (This is one of the few times I would recommend reading the Wikipedia article.) Even behemoth distribution platforms like YouTube will not (and have not) be impervious to throttling and blocking, which makes the creators job x-times harder. What happens to someone entering the field, intent on creating work, when they discover they have to raise thousands of dollars more just for a better chance of popping up in the search bar, when even that multi-million dollar company can’t control who has access to their site? It’s a bet many creators and investors aren’t willing to take.

The ruling represents nothing good for us. It is now a debate of extent. If you have rose-tinted glasses on, maybe the future means some tougher times and trickier distribution, with the faith that some enterprising young mind will crop up and start the indie distribution company of our dreams. If you are plagued with a consistently pessimistic mindset, this might mean game over. In all of this, we have one truly actionable item: double down on Web Fests.

We’re indie too. We understand production issues as well as policy and IP limitations. We have a unique set of skills and knowledge that relate exclusively to digital positioning, and the DC Web Fest particularly has an understanding of how the needs of big-tech and big-policy converge. Festivals will almost certainly become the new distribution platform/ discovery ground for producers looking for new talent/ topics, and we foster a community of support. It takes a team, and we want you on ours. Almost like a workers union, except a lot more hopeful and (probably) a lot more fun. If you’d like to participate and join this growing conversation, remember the FINAL FINAL DEADLINE for the DC Web Fest is January 31. We would love to celebrate your work, and hope to see you this April 6th and 7th!

-          A.K. Young  

An Excellent New Year

Happy Happy New Year from your DC Web Fest fam!  This is Diana here, and I just want to share a little bit of what has been on my heart lately. EXCELLENCE. It's not just something you do, it's what you are. Each day when we wake up, whether it's cloudy or sunny, snowing or raining, we should fix our minds to be EXCELLENT! Now on our journey to excellence, we will FAIL and make MISTAKES; However, these things are only steps that make you stronger on your path to excellence. How can one build muscles unless there is some resistance?

So, I'm sure you're wondering why the Prince magazine covers above. Simply put, he was one of the best to do it. He realized he was musically inclined at a very young age, mastering numerous instruments by his teenage years. How many other musicians have you seen on the front cover of multiple instrument magazines? Prince took what he had and ran FAR with it all the way up to his last day on earth, paving the path for the following generations.

Everyone was sent to this earth with DOPE talents and gifts- it's just a matter of tapping into them. Don't know what your "thing" is? Well, it's usually something that you don't mind losing sleep over. It's usually something you think about and desire often. It's usually something that just comes natural. Practicing and learning it doesn't really seem like "work", but fun because you enjoy it so much. Once you tap into your gift(s)/passion(s), decide you're going to be the absolute best you possible can and only measure yourself against yourself, aiming to be better each day.

Bottom line- whatever you love to do, BECOME THE BEST AT IT! Practice and study, study and practice. Be relentless. Don't make a New Years Resolution this year. Make a lifetime decision to divorce your hindering bad habits and marry excellence. It'll be one of the greatest relationships you can have in life.

For geniuses who are living out your passion(s) through creating digital media, there's still time to show us what you've got! Who knows, your work just may be featured at the 2018 DC Web Fest.

Take care,

Diana A. Eaton

A Season to be Thankful

The new year is soon approaching us! We have smashed turkey, mac n' cheese, green beans, collard greens, pumpkin pie, apple pie à la mode, fried chicken, stuffing, gravy, mashed potatoes...OK I'll stop listing food now because it's starting to sound gluttonous (LOL). Then there are also relatives. Aahhhh. Some of them you are genuinely excited to see, then others....you know....you can only tolerate them in doses (mainly during the holidays). Everyone has that one aunt who has absolutely NO FILTER on her mouth. Any and everything can come out at any given time!

Anyhow, the holiday season is a great time to be simply....YOU'VE GUESSED IT...THANKFUL. No one's life is perfect, but we all have SOMETHING to be thankful for. Sometimes we can get so caught up in life's hurdles, we overlook the simple things to rejoice about. Check out the following list of the simplest things we should be grateful for (as they apply to us)::

  • Wellness/health
  • Sanity
  • Laughter
  • Peace
  • Loved ones/support system
  • Food (that we don't have to hunt for or farm. Note- our pets eat better than some of the folks in underdeveloped countries)
  • Clean water
  • A decent roof to reside under
  • Joy
  • Healthy relationships
  • Clothes
  • Employment
  • Transportation
  • Love
  • Prosperity
  • Creativity (got creative content? We want to see it!)

Maybe only one thing on the list applies to you (some of us have some pretty unfortunate lives), BUT if you can just find ONE thing to be thankful for, try to meditate on that. It's not always easy, but you may find a little joy creeping into your heart if you just focus on one thing you can be thankful for.

SPREAD LOVE, EAT MAD FOOD, AND ENJOY THE REST OF THIS HOLIDAY SEASON!

-Diana

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Creative Monopolies: Disney & Fox

Happy Holidays! Let's talk about MONOPOLIES! As in, I am about to MONOPOLIZE your time with this excellently crafted blog post. 

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There’s been a lot of talk about corporations this week, particularly about the current administration’s quest to reward them. Whether with tax breaks (which just passed) or the repeal of net neutrality, monopolies and conglomerates in the digital sphere are here to stay, with another, perhaps, joining their ranks.

One other notable headline? Disney’s official bid for Fox – and they bid big. To be clear, some analysts deem this the second-biggest merger ever. Disney’s $52.4 billion all-stock transaction (side note: learn what an all-stock transaction actually is) includes 20th Century Fox, Fox 2000, Fox Searchlight movie and television studios, majority control of Hulu, and rites to Fox’s most successful franchises: X-Men, Marvel in general, Alien, Planet of the Apes, Avatar (including Cameron’s contacted two sequels and plans for two more), ALL of Star Wars, even JLaw’s upcoming deadly-sexy Red Sparrow. Let’s not forget National Geographic is in this mix too, and hey, Anastasia is officially a Disney Princess now! (The list is endless, tbh, so look at this list because my fingers are getting tired).  If you want to read more on the specifics of the deal, as well as projections and social stats, Dana Feldman wrote a great article for Forbes. TLDR; according to analysts, this merger brings almost no benefit to the consumer. But at the billion-dollar level, of course, there wouldn’t be.

Maybe I’m the only one, but it can be hard for the average viewer to associate mass media conglomerates with corporate greed – I mean, the ones that focus on entertainment. Disney makes movies about princesses! And apparently, Nutcracker’s too!  There is singing! And if it’s animated, you already know tears are involved!  Entertainment corporations acquire distinct brand loyalty by taking a back seat to their well-branded, social savvy stars and employ expertly tailored PR when that’s not enough. However, Disney is showing its teeth. Remember when they barred L.A. Times coverage for a month because their reporters called out Disney’s business dealings in Anaheim? News about that died down pretty quick, however disconcerting it may be. Remember how I mentioned this is the second largest merger of all time? Democratic Senator Amy Klobuchar (Minn.) called for the Senate’s antitrust subcommittee to host a hearing about all this. At the time of this writing, no hearing has been scheduled, but it also has not been ruled out. When something garners federal attention, especially with *everything else* going on, we should all pay attention.

Look at you and your sarcastic clapping, Snow, you stop that. This is serious. 

Look at you and your sarcastic clapping, Snow, you stop that. This is serious. 

So. Now what? What does Disney’s deal mean for us? What does it mean for our culture, we who binge series and spend the majority of our precious resources on entertainment? What will happen to our brand of escapism, or our form of protest, or whatever digital media means to you? Well, here are some thoughts, in no particular order because orders are stupid:

Sourced from qz.com 

Sourced from qz.com 

1)   This is a move towards international markets. International movie markets make up more of the industry’s gross than ever before, so it’s easy to assume Disney will continue producing work with a global focus.  Just this week: Last Jedi earned $220 million domestically, $230 million internationally; Coco earned $10 million domestically, $27.4 million internationally; Daddy’s Home 2 earned $3.8 million domestically (somehow), $5.8 million internationally. Some movies do even better in markets like China than they do in the US, and especially when Silicon Valley has an aggressively hold on the streaming market (luv u 5evr, Netflix) it’s easy to see why Disney would want to keep international markets in play. Those acquisitions of Star India and 39% of Sky make more sense? And Disney’s new 60% majority of Hulu? Ah, yes, back to streaming for a quick sec…

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2)   Don’t Cross the Streams: A Fragmented Marketplace. There’s already a plethora of streaming options for consumers. The fact Disney will now own a huge portion of popular properties means that they will also control distribution, and could deal their franchises in a way that encourages consumers to pay for multiple services … that is, until Disney creates their own. Which, apparently, we can expect circa 2019. With their buffed out portfolio, heavy hitters in EVERY genre, there isn’t much out there to stop them. Getting on board with direct-to-consumer entertainment is a smart move, especially when uber expensive cable used to be the only way to access Disney titles and ESPN (oh yeah, Disney owns 80% of that, too).  And what happens when they make this streaming service? Can they pay to throttle other services? Can they prevent certain people from their viewing their content? Not to be hyperbolic, but we are headed towards a dystopian future where we end up paying the same price for cable, except for multiple services (almost like countries without net neutrality do, riiiiiight?) with, I’m guessing, content that continues to play it safe …  which is terrible because …

Not one of these stock photo adults will be happy when they realize their fun adult movie options are about to be seriously curtailed. 

Not one of these stock photo adults will be happy when they realize their fun adult movie options are about to be seriously curtailed. 

3)   Films for adults are up for grabs. Todd VanDerWerff brought up this excellent point in his excellent Vox article: Disney is almost entirely focused on blockbusters, while Fox subsidiaries (Fox Searchlight in particular) produce annual Oscar bait. Not even bait, like, fully prepared Oscar fillets. In the classic profit vs. prize schema, Disney has clearly favored formulaic hits. Seriously, read Mr. VanDerWerff’s article. It’s brilliant. But this doesn’t just concern original content, let’s think about the franchises. Most talked about, perhaps, is what’s going to happen to Deadpool. Great, less red tape between franchises means more potential crossover, but Deadpool by nature is an R rated series. It’s also the highest earning R-rated movie of all time. Disney has a rule about NOT making R-Rated movies. You see the problem here. In a battle of rebranding, who do we think is going to be the one to cave? Will Deadpool become some milquetoast, Comic-Con version of himself? No one knows, but Disney’s recent trend of turning animated hits into live-action “hmm”s doesn’t instill a TON of confidence. So maybe …

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4)   Independent creators may, ironically, get more play. Here’s the thing. A lot of people love Disney for sentimental reasons. 90’s kids grew up with them. However, of late, the movies they release on the whole (when they do) all share shades of the same well-storied narrative. Disney’s brand loyalty depends on viewers knowing what to expect. Now, when we don’t really know how large their market share is going to be, maybe this means we are going to see a large number of franchises play into that same trustworthy Disney arc. And maybe, if we play our cards right, viewers are going to get really fricken tired of it and turn to independent creators for some respite and original, innovative work. (P.S. If someone could give me more stuff like Call Me By Your Name and Three Billboards Outside Ebbing, Missouri, that’d be great).  Maybe this is too-far a long ball view, but call me a cock-eyed optimist. In the short term, sure, maybe some of our greatest franchises will become a little more generic. Maybe there will be fewer of them. But maybe this could start something cool. Maybe the political groundswell is seeping into our creative domain, and maybe we need to rise to meet it like we have every time before.

 

Well. Some thoughts. Sound off on Twitter/Instagram/ anywhere with your thoughts! You know I’d love to hear them.

Keep on keepin’ on. And hey! Happy Holidays.

- A. K. Young